Nikola Gocić


Lista 75 + 12 najboljih filmova za 2018. godinu – izbor Nikola Gocić


Pri osvrtu na (dugometražne) filmske favorite odgledane u 2018, a nastale u poslednje tri godine, uključujući i jednog „uljeza” iz 2015, naišao sam na značajan izazov, pošto je nekako trebalo rasporediti više od 50 ostvarenja nagrađenih osmicom ili višom ocenom (na skali od 1 do 10). Jedino oko prve pozicije nije bilo dileme, budući da sam se na Fantomska Ostrva irsko-iranskog filmadžije Ruzbeha Rašidija vratio dva puta posredstvom velikog platna. Moja blagost u ocenjivanju sasvim je sigurno posledica snažnog uticaja rediteljskog para Denijel Foset i Klara Paiš koji u intervjuima i svojim tekstovima često ističu love for all cinema. Naravno, bilo je i izuzetaka koji su se izgubili na krivudavoj putanji do mog srca, ali ovaj članak nije o njima, tako da ću ih zaobići u širokom luku. Prvom listom koja obuhvata čak 75 naslova, dominiraju ponude iz arthaus i avangardnog domena, što ne znači da nema iznenađenja, kao što je, recimo, Accident Man.

https://ngbooart.blogspot.com/2018/12/75-features-for-end-of-2018.html

  1. Phantom Islands (Rouzbeh Rashidi, 2017)
  2. Lucky (John Carroll Lynch, 2017)
  3. Song of Granite (Pat Collins, 2017)
  4. The Forgotten Colors of Dreams (Johnny Clyde, 2018)
  5. November (Rainer Sarnet, 2017)
  6. Manifesto (Julian Rosefeldt, 2015)
  7. A Dragon Arrives! (Mani Haghighi, 2016)
  8. The Wandering Soap Opera (Raúl Ruiz, 2017)
  9. Grain (Semih Kaplanoğlu, 2017)
  10. 24 Frames (Abbas Kiarostami, 2017)
  11. A Solar Dream (Patrick Bokanowski, 2016)
  12. Scorpion’s Stone (Maximilian Le Cain, 2018)
  13. Animal Kingdom (Dean Kavanagh, 2017)

  1. The Plague at the Karatas Village (Adilkhan Yerzhanov, 2016)
  2. Wild Boys (Bertrand Mandico, 2017)
  3. Inside (Vicky Langan & Maximilian Le Cain, 2017)
  4. The Rub (Péter Lichter & Bori Máté, 2018)
  5. Rey (Niles Atallah, 2017)
  6. Mary and the Witch’s Flower (Hiromasa Yonebayashi, 2017)
  7. Real (Sa-Rang Lee, 2017)
  8. Kino Hospital (Jann Clavadetscher, 2017)
  9. First Reformed (Paul Schrader, 2017)
  10. The Other Side of the Wind (Orson Welles, 2018)

  1. Sleeping Beauty (Adolfo Arrieta, 2016)
  2. Loving Vincent (Dorota Kobiela & Hugh Welchman, 2017)
  3. Mandy (Panos Cosmatos, 2018)
  4. Mr. Long (SABU, 2017)
  5. Drifting Cities (Michael Higgins, 2017)
  6. Double Lover (François Ozon, 2017)
  7. Unrest (Philippe Grandrieux, 2017)
  8. Iridescent (Eli Hayes, 2017)
  9. EVERYONE AFRAID TO BE FORGOTTEN (Jonna Lee & John Strandh, 2018)
  10. The Greatest Showman (Michael Gracey, 2017)
  11. MFKZ (Shojiro Nishimi & Guillaume Renard, 2017)
  12. The Lodgers (Brian O’Malley, 2017)
  13. I Am Not Madame Bovary (Xiaogang Feng, 2016)

  1. See You Up There (Albert Dupontel, 2017)
  2. Dailies from Dumpland (Michael Woods, 2018)
  3. Batman Ninja (Junpei Mizusaki, 2018)
  4. Pin Cushion (Deborah Haywood, 2017)
  5. The Scythian (Rustam Mosafir, 2018)
  6. Ederlezi Rising (Lazar Bodroža, 2018)
  7. Boarding School (Boaz Yakin, 2018)

  1. Valley of Shadows (Jonas Matzow Gulbrandsen, 2017)
  2. Call Boy (Daisuke Miura, 2018)
  3. The Mimic (Jung Huh, 2017)
  4. Self-Criticism of a Bourgeois Dog (Julian Radlmaier, 2017)
  5. Sunday’s Illness (Ramón Salazar, 2018)
  6. Krut: The Himmaphan Warriors (Chaiporn Panichrutiwong, 2018)
  7. Waiting for the Barbarians (Eugène Green, 2017)
  8. Cinderella the Cat (Ivan Cappiello, Marino Guarnieri, Alessandro Rak & Dario Sansone, 2017)
  9. Night Awake (Sandy Ding, 2016)

  1. The Whisper of the Jaguar (Simon(è) Jaikiriuma Paetau & Thais Guisasola, 2017)
  2. Roma (Alfonso Cuarón, 2018)
  3. Marlina the Murderer in Four Acts (Mouly Surya, 2017)

  1. Under the Silver Lake (David Robert Mitchell, 2018)
  2. God’s Own Country (Francis Lee, 2017)
  3. Psychokinesis (Sang-ho Yeon, 2018)
  4. 1985 (Yen Tan, 2018)
  5. Revenge (Coralie Fargeat, 2017)
  6. Jupiter’s Moon (Kornél Mundruczó, 2017)
  7. Terminal (Vaughn Stein, 2018)
  8. Errementari (Paul Urkijo Alijo, 2018)
  9. The Crescent (Seth A. Smith, 2017)
  10. Paradise (Andrey Konchalovskiy, 2016)

  1. Afterimage (Andrzej Wajda, 2016)
  2. Accident Man (Jesse V. Johnson, 2018)
  3. The Party (Sally Poter, 2017)
  4. The Green Fog (Guy Maddin, 2017)
  5. Annihilation (Alex Garland, 2018)
  6. Pity (Babis Makridis, 2018)

  1. Foreboding (Kiyoshi Kurosawa, 2017)
  2. Elliot (Craig Jacobson, 2017)
  3. Into the Forest (Gilles Marchand, 2016)
  4. Drown Among the Dead (Rubén Gutiérrez, 2018)

 

Druga lista obuhvata dvanaest najboljih filmova iz prošlog veka koje sam premijerno odgledao u prošloj godini. Akcenat je na kultnim i nedovoljno poznatim delima, iz prostog razloga što su ona ovenčana priznanjima toliko često spominjana, da je gotovo bespredmetno isticati ih po ko zna koji put. Sudeći po godinama nastanka većine pobrojanih naslova, sedamdesete su bile zlatno doba, bar kad je reč o sedmoj umetnosti.

https://ngbooart.blogspot.com/2019/01/12-favorite-oldies-of-2018.html

  1. Paskutinė atostogų diena (Arūnas Žebriūnas, 1965)
  2. Touha zvaná Anada (Ján Kadár & Elmar Klos, 1971)
  3. Deux Fois (Jackie Raynal, 1968)
  4. Salomé (Téo Hernandez, 1976)
  5. Catch-22 (Mike Nichols, 1970)

  1. Pink Narcissus (James Bidgood, 1971)
  2. Bérénice (Raúl Ruiz, 1983)
  3. Spirits of the Air, Gremlins of the Clouds (Alex Proyas, 1989)
  4. Radio On (Christopher Petit, 1979)
  5. Jaune le soleil (Marguerite Duras, 1971)
  6. Zoo zéro (Alain Fleischer, 1979)
  7. Quick Billy (Bruce Baillie, 1971)

 

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